Date: Thu, 20 Dec 2001 20:35:28 -0700 From: tomrvincent@yahoo.com ("Tom Vincent") Subject: [AZHumanists] The New McCarthyism To: AZHumanists@yahoogroups.com Reply-To: AZHumanists@yahoogroups.com
> > http://www.progressive.org/0901/roth0102.html
> >
> > The New McCarthyism
> >
> > by Matthew Rothschild
> > The Progressive magazine
> > January 2002
> >
> > Donna Huanca works as a docent at the Art Car Museum, an avant-garde
> > gallery
> > in Houston. Around 10:30 on the morning of November 7, before she opened
> > the
> > museum, two men wearing suits and carrying leather portfolios came to
> > her
> > door.
> >
> > "I told them to wait until we opened at 11:00," she recalls. "Then they
> > pulled their badges out."
> >
> > The two men were Terrence Donahue of the FBI and Steven Smith of the
> > Secret
> > Service.
> >
> > "They said they had several reports of anti-American activity going on
> > here
> > and wanted to see the exhibit," she says. The museum was running a show
> > called "Secret Wars," which contains many anti-war statements that were
> > commissioned before September 11.
> >
> > "They just walked in, so I went through with them and gave them a very
> > detailed tour. I asked them if they were familiar with the artists and
> > what
> > the role of art was at a critical time like this," she says. "They were
> > more
> > interested in where the artists were from. They were taking some notes.
> > They
> > were pointing out things that they thought were negative, like a rcent
> > painting by Lynn Randolph of the Houston skyline burning, and a devil
> > dancing around, and with George Bush Sr. in the belly of the devil."
> >
> > There was a surreal moment when they inspected another element of the
> > exhibit. "We had a piece in the middle of the room, a mock surveillance
> > camera pointed to the door of the museum, and they wondered whether they
> > were being recorded," she says.
> >
> > All in all, they were there for about an hour. "As they were leaving,
> > they
> > asked me where I went to school, and if my parents knew if I worked at a
> > place like this, and who funded us, and how many people came in to see
> > the
> > exhibit," she says. "I was definitely pale. It was scary because I was
> > alone, and they were really big guys."
> >
> > Before the agents left the museum, Huanca called Tex Kerschen, the
> > curator
> > of the exhibit. "I had just put down a book on COINTELPRO," he says,
> > referring to the FBI's program of infiltrating leftwing groups in the
> > 1960s.
> > "Donna's call confirmed some of my worst suspicions. Donna was
> > frightened,
> > and we're all a little bit shocked that they were going to act against a
> > small art space, to bring to bear that kind of menace, an atmosphere of
> > dread. These old moldy charges of 'anti-American,' 'un-American'--they
> > seem
> > laughable at first, like we can't be accused of anything that silly. But
> > they've started coming down with this."
> >
> > The director of the Art Car Museum is James Harithas, who served as the
> > director of the Corcoran Art Museum in Washington, D.C., in the late
> > 1960s.
> > "It's unbelievable," he says of the visit from the G-men. "People should
> > be
> > worried that their freedoms are being taken away right and left."
> >
> > Robert Dogium, a spokesman for the FBI in Houston, says the visit was a
> > routine follow-up on a call "from someone who said there was some
> > material
> > or artwork that was of a threatening nature to the President." He says
> > it
> > was no big thing. "While the work ther was not their cup of tea, it was
> > not
> > considered of a threatening nature to anybody or terrorism or anything."
> >
> > She is a freshman at Durham Tech in North Carolina. Her name is A.J.
> > Brown.
> > She's gotten a scholarship from the ACLU to help her attend college. But
> > that didn't prepare her for the knock on the door that came on October
> > 26.
> > "It was 5:00 on Friday, and I was getting ready for a date," she says.
> > When
> > she heard the knock, she opened the door. Here's her account.
> >
> > "Hi, we're from the Raleigh branch of the Secret Service," two agents
> > said.
> >
> > "And they flip out their little ID cards, and I was like, 'What?'
> >
> > "And they say, 'We're here because we have a report that you have
> > un-American material in your apartment.' And I was like, 'What? No, I
> > don't
> > have anything like that.'
> >
> > " 'Are you sure? Because we got a report that you've got a poster that's
> > anti-American.'
> >
> > "And I said no."
> >
> > They asked if they could come into the apartment. "Do you have a
> > warrant?"
> > Brown asked. "And they said no, they didn't have a warrant, but they
> > wanted
> > to just come in and look around. And I said, 'Sorry, you're not coming
> > in.'
> > "
> >
> > One of the agents told Brown, "We already know what it is. It's a poster
> > of
> > Bush hanging himself," she recalls. "And I said no, and she was like,
> > 'Well,
> > then, it's a poster with a target on Bush's head,' and I was like,
> > nope."
> >
> > The poster they seemed interested in was one that depicted Bush holding
> > a
> > rope, with the words: "We Hang on Your Every Word. George Bush, Wanted:
> > 152
> > Dead." The poster has sketches of people being hanged, and it refers to
> > the
> > number who were put to death in Texas while Bush was governor, she
> > explains.
> >
> > Ultimately, Brown agreed to open her door so that the agents could see
> > the
> > poster on the wall of her apartment, though she did not let them enter.
> > "They just kept looking at the wall," which contained political posters
> > from
> > the Bush counter-inaugural, a "Free Mumia" poster, a picture of Jesse
> > Jackson, and a Pink Floyd poster with the quotation: "Mother, should I
> > trust
> > the government?"
> >
> > At one point in the conversation, one of the agents mentioned Brown's
> > mother, saying, "She's in the armed forces, isn't she?" (Her mother, in
> > fact, is in the Army Reserve.)
> >
> > After they were done inspecting the wall, one of the agents "pulled out
> > his
> > little slip of paper, and he asked me some really stupid questions,
> > like, my
> > name, my Social Security number, my phone number," she says. "Then they
> > asked, 'Do you have any pro-Taliban stuff in your apartment, any
> > posters,
> > any maps?'
> >
> > "I was like, 'No, I don't, and personally, I think the Taliban is just a
> > bunch of assholes.' "
> >
> > With that, they left. They had been at her apartment for forty minutes.
> >
> > "They called me two days later to make sure my information was correct:
> > where I lived, my phone number (hello!), and my nicknames," she says.
> >
> > Brown says she's "really annoyed" about the Secret Service visit.
> > "Obviously, I'm on some list somewhere."
> >
> > Welcome to the New McCarthyism. A chill is descending across the
> > country,
> > and it's frostbiting immigrants, students, journalists, academics, and
> > booksellers.
> >
> > "I'm terrified," says Ellen Schrecker, author of Many Are the Crimes:
> > McCarthyism in America (Prnceton University, 1999). "What concerns me
> > is
> > we're not seeing an enormous outcry against this whole structure of
> > repression that's being rushed into place by the Bush Administration."
> >
> > "I've been talking a lot about the parallels between what we're going
> > through now and McCarthyism," says Nadine Strossen, president of the
> > ACLU.
> > "The term 'terrorism' is taking on the same kind of characteristics as
> > the
> > term 'communism' did in the 1950s. It stops people in their tracks, and
> > they're willing to give up their freedoms. People are too quickly
> > panicked.
> > They are too willing to give up their rights and to scapegoat people,
> > especially immigrants and people who criticize the war."
> >
> > Attorney General John Ashcroft is rounding up or interrogating thousands
> > of
> > immigrants in what will go down in history as the Ashcroft Raids. The
> > FBI
> > and Secret Service are harassing artists and activists. Publishers are
> > firing anti-war columnists and cartoonists. University presidents are
> > scolding dissident faculty members. And rightwing citizen's groups are
> > demanding conformity.
> >
> > In this article, I focus on the threats to free speech, which go well
> > beyond
> > the much-publicized attack on Bill Maher of Politically Incorrect. These
> > threats are real. They are frightening people. They are ruining some
> > livelihoods. And they may be just a taste of sour things to come.
> >
> > Barbara Wien worked as a program officer and a conflict resolution
> > trainer
> > at the United States Institute of Peace for five years. She doesn't work
> > there anymore.
> >
> > On September 11, while at an official function of the Institute, Wien
> > spoke
> > out. "I said that I would hope that the United States would not resort
> > to
> > military retaliation and that we need to do a great deal of
> > soul-searching
> > in this country about how U.S. policies might have contributed to the
> > emergence of terrorist policies," she recalls.
> >
> > Her comments were not well received. "My conservative colleagues became
> > outraged, and said, 'You're the most leftwing person we've ever met, and
> > you
> > should not be leading any trainings here. While the buildings are still
> > smoldering, you're blaming the U.S.' "
> >
> > This wasn't the first time Wien had raised hackles inside the Institute,
> > which is, according to its web site, "an independent, nonpartisan
> > federal
> > institution created and funded by Congress to strengthen the nation's
> > capacity to promote the peaceful resolution of international conflict."
> > She
> > had clashed with her colleagues before over U.S. policy regarding
> > sanctions
> > on Iraq, Israel's occupation of the West Bank and Gaza, the Sudan, and
> > the
> > bombing of Belgrade, she says.
> >
> > "There was generally a hostile work environment for my peaceful activism
> > at
> > the Institute," she says. After her colleagues jumped all over her on
> > September 11, Wien objected. "I went to the management and said a
> > pacifist
> > position here is being punished, and they said, 'It's time for you to
> > go,
> > Barbara. You don't fit into
> > the culture,' " she recalls. "Then they basically hounded me for about
> > two
> > weeks for my letter of resignation, so I finally caved under duress."
> >
> > Harriet Hentges is the executive vice president of the United States
> > Institute of Peace. "She submitted a letter of resignation to me October
> > 17,
> > and beyond that I don't have a comment," says Hentges. "But we would
> > never
> > make an individual staff member's personal views a litmus test for
> > employment."
> >
> > You are no longer free to patronize a bookstore without fear of
> > government
> > scrutiny. On November 1, the American Booksellers Foundation for Free
> > Expression (ABFFE) sent a disturbing letter to its members.
> >
> > "Dear Bookseller," it begins. "Last week, President Bush signed into law
> > an
> > antiterrorism bill that gives the federal government expanded authority
> > to
> > search your business records, including the titles of the books
> > purchased by
> > your customers. . . . There is no opportunity for you or your lawyer to
> > object in court. You cannot object publicly, either. The new law
> > includes a
> > gag order that prevents you from disclosing 'to any person' the fact
> > that
> > you have received an order to produce documents."
> >
> > The letter recommends that booksellers who get hit with such an order
> > should
> > call their attorney or the foundation, but "because of the gag order . .
> > .
> > you should not tell ABFFE that you have received a court order. . . .
> > You
> > can simply tell us that you need to contact ABFFE's legal counsel."
> >
> > Marsha Rummel of Rainbow Bookstore Cooperative in Madison, Wisconsin,
> > denounces this new government policy as a "terrifying encroachment on
> > the
> > privacy rights of citizens." Noting that "the danger to booksellers is
> > just
> > one small part of this new landscape," she says, "We must collectively
> > take
> > a stand to defend our democratic rights, including the right to protest
> > our
> > government and oppose the war, and the right to read whatever we like."
> >
> > Katie Sierra is a fifteen-year-old sophomore at Sissonville High School
> > in
> > West Virginia. On October 22, she notified her principal, Forrest Mann,
> > that
> > she wanted to form an anarchist club. He denied her request. It was the
> > only
> > club he has ever disallowed, according to the lawsuit Sierra and her
> > mother
> > filed against the school.
> >
> > Sierra had already made up fliers for the club, which she wasn't able to
> > distribute. The fliers said: "Anarchist club. Anarchism preaches to love
> > all
> > humans, not just of one country. Start a newspaper, a food-not-bombs
> > group,
> > a book discussion group. Speak your point of view, and hear others.
> > Please
> > join."
> >
> > The next day, Sierra came to school with a T-shirt on that said,
> > "Racism,
> > Sexism, Homophobia, I'm So Proud of People in the Land of the So-Called
> > Free." The principal suspended her for three days.
> >
> > "I've never been in trouble before," Sierra says. "I was kind of upset
> > at
> > first: How could he? Then I was crying. How could he suspend me for
> > something so ridiculous as that?"
> >
> > On October 29, she was told that before she could come back to school,
> > she
> > would have to provide the principal with authorization to obtain her
> > medical
> > records, she would have to meet with a school psychologist, and she
> > couldn't
> > wear T-shirts like the one she wore or organize her anarchist club.
> >
> > At a school board meeting on October 29, the school board president,
> > Bill
> > Raglin, said, "What in the hell is wrong with a kid like that?" Another
> > school board member, John Luoni, accused her of treason, according to
> > her
> > court papers.
> >
> > To make matters worse, says Sierra, Principal Mann mischaracterized her
> > T-shirt in the Charleston Gazette, falsely stating it included
> > statements
> > such as "I hope Afghanistan wins" and "America should burn."
> >
> > As a result, students at school ganged up on her. "I got shoved against
> > lockers," she says. "People made pictures of me with bullet holes
> > through my
> > head and posted them on, like, the doors in the school. They said some
> > really harsh things. It was scary."
> >
> > Sierra and her mother sued the school district but lost in the lower
> > courts
> > and in the state supreme court by a 3-to-2 vote. "We sought an
> > injunction to
> > force the principal to allow her to form the anarchy club and wear her
> > peace
> > T-shirts and void her suspension," her attorney, Roger Forman, says.
> > Forman,
> > a former president of the West Virginia ACLU, says her free speech
> > rights
> > have been violated.
> >
> > Sierra plans to appeal. "I'm really disgusted with the courts right now,
> > and
> > with the school," she says. "I'm being punished for being myself."
> >
> > Because she felt unsafe at Sissonville High, Sierra is now being
> > homeschooled.
> >
> > Until recently, Jackie Anderson was a staff reporter for the Sun
> > Advocate in
> > Price, Utah. She had worked there for three years, and she was
> > encouraged to
> > write editorial columns as part of her job. So, on September 18, she
> > wrote a
> > column that said, "War is not the only action available to us. Seeking
> > justice is action. Making peace is action."
> >
> > The column never ran, though several pro-war columns did. Six days after
> > filing her column, Anderson says she asked her editor, Lynnda Johnson,
> > whom
> > she considered a good friend, why it wasn't running, and Johnson told
> > her to
> > talk to the publisher, Kevin Ashby. "This is not the direction I want my
> > newspaper to go in," he told her, as Anderson recalls it.
> >
> > "Well, I don't know if I can continue to work here, and I certainly
> > can't
> > continue this afternoon," she says she told him, adding that she got
> > permission from her editor to take a personal day.
> >
> > "The next day I went in to work, I was called into the publisher's
> > office,
> > and he asked me to clear my desk," she recalls. "I asked him if I was
> > being
> > fired, and he said, 'No, you quit. I'm accepting your resignation.' And
> > I
> > said, 'I didn't quit.' "
> >
> > Johnson explains the paper's side. "Look, this is a personnel issue,"
> > she
> > says. "The bottom line is Jackie Anderson walked out on a production day
> > and
> > said she couldn't work here anymore. Period. She quit."
> >
> > As to not running the column, Johnson says, "She was not told it
> > wouldn't
> > run. She was told there were problems with it. I'm not going to discuss
> > this. This was a personnel issue. She said she quit her job and then
> > decided
> > she could unquit at her convenience."
> >
> > Anderson is now collecting unemployment. "My options are very, very
> > limited," she says. "This is a depressed economy. There aren't many
> > other
> > jobs in journalism. And it's put stress on my husband, who is a coal
> > miner,
> > which is why we are very limited as to where we can go."
> >
> > "This was a job that I loved and believed in. I thought journalists were
> > warriors for freedom in at least as significant a way, if not a greater
> > way,
> > than a soldier in the military. If people can lose their jobs for their
> > opinions this early on, then it does not bode well."
> >
> > At least two other journalists have been fired for their columns. Both
> > received some attention in the media. Dan Guthrie worked at the Grants
> > Pass
> > Daily Courier in Oregon for ten years and was a columnist, on and off,
> > for
> > seven of them. "During that time, I'd won quite a few awards, including
> > best
> > columnist in Oregon," he says. But one recent column cost him his job.
> > It
> > was called, "When the Going Gets Tough, the Tender Turn Tail," and it
> > ran
> > September 15.
> >
> > Guthrie was the columnist who said Bush "skedaddled" on September 11.
> > "The
> > picture of Bush hiding in a Nebraska hole" was "an embarrassment," he
> > wrote.
> > "The President's men are frantically glossing over his cowardice."
> >
> > A week later, the publisher fired him, even though the city editor and
> > the
> > editor had signed off on the piece, Guthrie says. "I told them this was
> > going to be hot, and they approved it as it stood."
> >
> > A few days later, the editor, Dennis Roler, issued a front-page apology,
> > entitled, "This Is No Time to Criticize the Nation's Leader: Apology for
> > Printing Column." The final paragraph reads: "In this critical time, the
> > nation needs to come together behind the President. Politics, and
> > destructive criticism, need to be put aside for the country's good.
> > Unfortunately, my lapse in judgment hurt that positive effort, and I
> > apologize."
> >
> > Today, Guthrie is picking up unemployment, and he's almost philosophical
> > about journalism: "You wish newspapers would be better than they are.
> > You
> > think they have this covenant with the First Amendment. But they don't,
> > especially in times of crisis."
> >
> > Tom Gutting worked for the Texas City Sun, and on September 22, he, like
> > Guthrie, criticized Bush for not returning to Washington on September
> > 11.
> > "There was W. flying around the country like a scared child seeking
> > refuge
> > in his mother's bed after having a nightmare," he wrote, adding: "What
> > we
> > are stuck with is a crippled President who continues to be controlled by
> > his
> > advisers. He's not a leader. He's a puppet."
> >
> > The day the piece ran, says Gutting, "the publisher assured me
> > straightaway
> > that he wouldn't fire me." But a few days later, the publisher, Les
> > Daughtry
> > Jr., changed his mind.
> >
> > Daughtry, too, issued a front-page apology, saying Gutting's column was
> > "not
> > appropriate to publish during this time."
> >
> > Gutting is unemployed. "I'm still looking for a job," he says. "I'm
> > hoping
> > it will end soon. I think I've been pretty much blacklisted from the
> > small
> > papers the company owns."
> >
> > The St. George, Utah, newspaper, The Spectrum, apologized on November 13
> > for
> > a cartoon it ran the previous day from Pulitzer prize-winner Steve
> > Benson.
> > The cartoon depicted President Bush dropping bombs that carried scrawled
> > messages, such as "starving millions of Afghans" and "killing innocent
> > civilians." Many local veterans descended on the paper, threatening to
> > cancel their subscriptions if it didn't issue an apology, according to
> > The
> > Salt Lake Tribune.
> >
> > Aaron McGruder, who draws The Boondocks, has seen his strip taken out of
> > many papers after September 11 for its anti-war content. And lesser
> > known
> > cartoonists may be especially vulnerable.
> >
> > Todd Persche drew a cartoon for the Baraboo News Republic in Wisconsin
> > once
> > a week for the last three years. Not anymore. After September 11, he
> > drew a
> > couple of cartoons that got him canned. One said, "When the media keeps
> > pounding on the war drum . . . it's hard to hear other points of view."
> > Another was about Big Brother "turning our civil rights upside down."
> >
> > Persche says, "In these times, they make you feel like you're not a
> > patriot
> > just because you're dissenting."
> >
> > At the moment, professors who criticize the U.S. government aren't being
> > fired as they were during the McCarthy days. But some are being taken to
> > the
> > woodshed.
> >
> > At the University of New Mexico, history professor Richard Berthold made
> > a
> > comment to his class that he now regrets: "Anyone who can blow up the
> > Pentagon gets my vote," he said. The university president has said "he
> > will
> > 'vigorously pursue' disciplinary action" against Berthold, the Chronicle
> > of
> > Higher Education reported.
> >
> > Robert Jensen, associate professor of journalism at the University of
> > Texas
> > at Austin, wrote a column for the Houston Chronicle on September 14
> > entitled
> > "U.S. just as guilty of committing own violent acts." In it, he said
> > that
> > the terrorist attacks of September 11 "were reprehensible and
> > indefensible .
> > . . but this act was no more despicable [than] the massive acts of
> > terrorism--the deliberate killing of civilians for political
> > purposes--that
> > the U.S. government has committed during my lifetime."
> >
> > For this, Jensen was publicly ridiculed by the school president, Larry
> > R.
> > Faulkner, who wrote a letter to the Houston Chronicle, which was
> > published
> > on September 19. "Jensen is not only misguided, but has become a
> fountain of > > undiluted foolishness on issues of public policy," he said.
> >
> > "I've been marginalized on this campus," Jensen says. But he takes pains
> > not
> > to exaggerate the threat against him. "I'm a tenured white male
> > professor at
> > a major university. I'm so protected I have no fears. But an untenured
> > brown
> > professor is not so protected."
> >
> > Jensen worries that untenured faculty may censor themselves, and he and
> > many
> > others are concerned about Lynne Cheney's group, the American Council of
> > Trustees and Alumni, which she co-founded in 1995 with Senator Joseph
> > Lieberman, Democrat of Connecticut.
> >
> > That group issued a report after September 11 called "Defending
> > Civilization: How Our Universities Are Failing America, and What Can Be
> > Done
> > About It." It said, "When a nation's intellectuals are unwilling to
> > defend
> > its civilization, they give comfort to its adversaries." And it cited
> > more
> > than 100 examples of what it considers unpatriotic acts by specific
> > academics.
> >
> > "What's analogous to McCarthyism is the self-appointed guardians who are
> > engaging in private blacklisting," says Eric Foner, professor of history
> > at
> > Columbia University. "That's why the Lynne Cheney thing is so
> > disturbing:
> > Her group is trying to intimidate individuals who hold different points
> > of
> > view. There aren't loyalty oaths being demanded of teachers yet, but we
> > seem
> > to be at the beginning of a process that could get a lt worse and is
> > already cause for considerable alarm."
> >
> > We've been here before. From the Alien and Sedition Acts to Lincoln's
> > suspension of habeas corpus and his imprisonment of anti-war editors,
> > from
> > the suppression of speech during World War I and the Palmer Raids to the
> > internment of Japanese Americans during World War II and the repression
> > of
> > the McCarthy days, the government has seized upon times of peril to
> > scapegoat immigrants and to suppress liberties.
> >
> > "We're talking about exactly the same phenomenon," says the ACLU's
> > Strossen.
> >
> > "No analogy is ever perfect, and history doesn't repeat itself exactly,
> > but
> > there's a pattern of the government restricting freedom of expression
> > and
> > running roughshod over traditional protections for the accused," Foner
> > says.
> > "Anybody concerned with freedom of expression and civil liberties should
> > be
> > very, very concerned."
> >
> >
>
> --------------------------------------------------------------------------
> --
> > Matthew Rothschild is Editor of The Progressive.
> >
> > ----------------------------------------------------------------------
> >
> > .FreeExpression.org
> >
> > ==============================================================
>
>
------------------------ Yahoo! Groups Sponsor ---------------------~--> Send FREE Holiday eCards from Yahoo! Greetings. http://us.click.yahoo.com/IgTaHA/ZQdDAA/ySSFAA/MtTslB/TM ---------------------------------------------------------------------~->
To unsubscribe from this group, send an email to: PhxHumanists-unsubscribe@yahoogroups.com
Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/